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It offers four low quality sample rates, from 31 to about 4 kHz, providingEach Pad to which you assign your samples can have user-selectable Stretch, Delay, and Ring Modulation. An innovative BPM function calculates. The sampler canIn fact tempos are calculated for each loop automatically, and individual samples It also lacks any re-sampling abilities, and with only four voices, theBut it's great for the DJ who wants to run DJ set, with live filtering and tweaking to liven' things up. The SP-202 has been used by Fatboy Slim. The Boss 'doctor' range started way back in 1980 with the original Dr. Rhythm, the funky DR55 (sadly, my own is long deceased and gone to silicon heaven) and the Dr. Sample isn't the first portable sampler from Boss either. The DSD2 Sampler, produced in 1986, was a 12 bit, single sample, foot pedal and could drain a PP3 battery in about 15 minutes, believe me I used to have one. Well things have improved a lot since then, this new Boss sampler will happily run on six AA sized Duracells for up to 8 hours continuous use. It's advertised primarily as a portable DJ looping sampler and with this in mind Boss have not only made it quick and easy to sample and loop but they have also endowed it with options for mains or battery power and given it the capacity to retain samples even without main batteries installed or external power. Very useful indeed, particularly if your batteries have run flat and you can't get replacements in a hurry. ALL THE STYLE OF. A TRICORDER ? If first impressions are anything to go by then the Dr. Sample can't fail to catch your eye and even more so once you switch it on, all black with oversize orange lettering and crammed full of buttons, flashing LEDs and 30 rubberised buttons and pads, with 18 that glow bright red when pressed, the word graphic springs to mind. Also, I'm not the first person to point out that the Dr. Sample bears an uncanny resemblance to Dr.
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McCoy's Medical Tricorder in Star Trek (Classic series of course, not Next Gen), maybe the Boss design team are Trekkies. Even though it's slightly larger than a house brick the Dr, Sample weighs only 850 g (with batteries) and at a push could be described as hand held, if you have big hands that is. The main control surface is what you might call busy, but even so everything is logically laid out with all the controls clearly labelled and because of the contrasting colour scheme you shouldn't have any trouble using it on a dim stage, and as you would expect from Boss the build quality is well up to the usual standard. WHAT'S UP DOC ? Up to 16 mono or 8 stereo samples can be recorded into the two the internal banks and samples can be recorded at four sampling frequencies: Hi-Fi (31.25 kHz), Standard (15.63 kHz), Lo-Fi 1 (7.81 kHz) and Lo-Fi 2 (3.91 kHz), with the maximum sample time in mono using Hi-Fi mode at 32 seconds and jumping to an amazing (but distinctly grungy sounding) 4 minutes 27 seconds in Lo-Fi 2 mode. This is quite impressive because by my reckoning the internal memory is only about 500k, which means there must be some serious data compression going on inside this unit. Also, sampling times and the number of samples available can be increased dramatically by plugging in a Smart Media card (see box) into the memory slot on the front.As I mentioned earlier these pads glow bright red when hit and stay lit for as long as the sample is playing, which makes it very easy to see what's going on, even from across a studio. Next to the sample pads is a HOLD pad for temporarily sustaining samples that haven't been programmed to loop indefinitely and a SOURCE pad which directs any signal connected to either the line or mic inputs through the effects section. Above these pads are a row of smaller buttons for recording, deleting and setting the start and end points of a sample, plus a CANCEL button and a REMAIN button for checking how much sample time is available.
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Directly above these are another row of even smaller EDIT buttons and LEDs (see below). A LITTLE CUT HERE, A LITTLE CUT THERE The sample editing options are minimalist, to the extreme. They just about do the job but only by a cats whisker. There are options for forward or reverse, looping or one shot, gate or trigger and sample start and end points. That's yer lot! No sound shaping, no pitch, no velocity and no sample level. The start and end points are set with a single button labelled MARK (nice boy, a bit dim) and any trimming is done entirely by ear and finger co-ordination, no displays or digits, so don't try this if you've been partying all night. It involves pushing MARK once where you want the sample (looping or not) to begin and then tapping it again where you want the sample to end, that's it. I know this sounds pretty fast and intuitive but it isn't really. If you are trying to edit a short loop it's almost impossible to get decent results and I found it quicker to sample the loop again from scratch. Motto. Get it right in the sampling stage. To make the most of the available memory you can delete any unwanted portions of the edited sample by pressing DELETE. This allows you to feed the audio input signal (mic or line) straight through to the Dr. Sample line outputs and is handy if you need to monitor the input source before sampling, otherwise you will only hear the input signal if you go into record mode or if you press the SOURCE button next to the sample pads. The TAP function works as well as any other BPM calculator, just tap in a regular beat and it displays what it thinks the BPM is, and quickly too. Sometimes though it's almost too quick because unless you are spot on with your timing the BPM figures constantly shift up and down while you're tapping, which can be pretty distracting. This sounds fine in practice but you still have to be fairly accurate with your own timing otherwise the Dr.
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Sample will move the BPM amount a couple of digits higher or lower than you expected it to be. If you are having trouble getting a loop to playback at the correct BPM you can, as an alternative, use the PITCH or TIME effects button (or both) to move the BPM (which is always displayed for the most recent sample selected) to a new figure. This works surprisingly well but has a major drawback of robbing any other samples of any effects they may have been using. THE EFFECTS I must admit at being surprised to find an effects section in a budget sampler but before you get too excited let me warn you that this is a bit of a mixed bag, not to mention a downright misnomer in one case. What we have here are six buttons labelled: PITCH, TIME, DELAY, FILTER 1, FILTER 2 and RING MOD, plus a knob that doubles as an audio input level adjustment and an effect value controller. Unfortunately there are a few, very frustrating, problems with this section. One is that with the exception of the PITCH effect only one sample can use an effect at any one time. This means that if two or more samples are programmed to use an effect and a sample is already playing (using an effect) then the newest selected sample stops playback of the other sample, resulting in some unexpected hiccups, if you're not prepared. Other problems are that the TIME and DELAY effects won't work with stereo samples. Also, once an effect is selected voice polyphony is reduced by one for Standard and Lo-Fi grade samples and by two for Hi-Fi grade samples. However it's not all bad, as a nice feature is that each sample pad remembers any effect and corresponding controller amount assigned to it. Another feature sure to find a lot of friends is the option of feeding external sounds (in stereo or mono and including the built-in mini microphone), though the filters and ring modulator section of the effects bank, which does offer some exciting possibilities.
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PITCH, which is also referred to as the tempo change control, is the only effect that can be used in conjunction with all the other effects. To my mind this isn't really an effect at all but a function and certainly shouldn't rob you of samples when in use. Usefully, when the PITCH button is active the the BPM display changes to show the new pitch changed BPM. And it works too, although it gets very flammy past -20, but for fine tuning BPMs without altering the pitch it works OK. It's a criminal shame that it won't work stereo samples though. DELAY adds a single slap back delay, at the same audio level, to a selected sample. The delay time is adjustable in 13 quantised steps (relative to the original BPM) from 64th note through to whole note using the controller knob. This also works well enough for what it does but a proper set of DDL parameters would have been preferable. FILTER 1 and 2 are basic but usable low pass filters, possibly 12 dB types by the sound of them, with the controller knob used to sweep the cut-off frequency (though it sounds distinctly stepped). The only difference between the filters is that FILTER 2 has more resonance than 1. Both sound a bit bland unless the sample has a high harmonic content or, funnily enough, if the sample was recorded using Standard or Lo-Fi grade, in which case they emphasise the digital grittiness of the sample. Some sort of triggered envelope control would have been nice, as it is you have to let your fingers do the walking. RING MOD is the truly redeeming effect and makes up for the shortcomings in the effects section. Although it does sound a touch digital it's great fun to use and really does mangle a sample as a ring modulator should. Also, because you can feed external sounds through it you can use the Dr. Sample as a stand alone ring modulator, or basic VCF. Ideal for those 'Dalek on heat' impersonations, splendid stuff.
SAMPLING - THE FINAL FRONTIER OK, so that's the tour of the front panel complete - so how easy is it to sample. If you stick to the default sample settings of mono, Hi-Fi grade, loop on and no BPM set, the actual process of sampling is quick and easy. Select an input from the small recessed switch on the front (microphone or line), adjust the input level until the PEAK LED just flickers slightly and hit the REC button, which starts flashing. Now comes the smart bit, because the Dr. Sample automatically chooses an empty sample pad and sets that flashing, to let you know which one it's going to be, so no worries about overwriting an existing sample (assuming all your pads aren't full). Hit the REC button a second time, preferably on the beat and it glows steadily and sampling commences. Hit the REC button once more, again on the beat and sampling stops and the BPM display instantly shows the calculated BPM of the sample loop. Like I said, quick and easy. When in record standby (REC flashing) you can press CANCEL at any time to drop out of sampling mode and if you're unhappy with a loop you can either press the DELETE button to erase a sample or use some of the editing features to change it. READY STEADY GO! I timed how long it took to sample from a cold start using the built-in mic at the default record settings. From switch on, through the initialisation routine where the LEDs do a little dance, to pressing the REC button and screaming down the mic took just 5 seconds, pretty fast by any standards. Used this way the Dr. sample makes a great sampling note pad for quickly jotting down vocal melodies, phrases, riffs or even spoken instructions. If you set the sampling grade to Lo-Fi 2 you could babble on for more than four minutes (or 35 minutes with a memory card). All this and on battery power too, great for anyone on the road.
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The external microphone input also works well with guitar, and if the level is pushed to distortion and the filters or ring modulator are active the Dr. Sample produces a very strange sounding digital overload, almost a seventh effect. SAY AAHH. Of course you don't have to record just loops from vinyl and CD with the Dr. Sample, there's no reason why you can't record keyboards, pads, effects, percussion or vocals. You can also use the built-in microphone, which sounds surprisingly good, although it does pick up the sound of tapping the REC button when you begin sampling, which puts a thump at beginning of each sample recorded through it. Samples and loops recorded at Hi-Fi grade (31.25 kHz) can't really be faulted, sounds are full bodied and full ranging with an impressive bottom end that could give some full priced samplers a run for their money. And there are no obvious artefacts from the data compression that must be going on to get such long sampling times into such a small amount of memory. Bright or toppy samples recorded at the Standard grade take on a noticeable digital, gritty edge and loose some bass definition but dull or softer sounds usually emerge OK, while the two Lo-Fi settings are best kept for special effects or sounds that you hate. LOOPS, NOT TUNES Sadly the Dr. Sample MIDI specification is just the bare bones and although the rather contradictory MIDI specification sheet says otherwise, it doesn't respond to MIDI velocity. Nor does it respond to volume, pitch bend or modulation and although it does respond to MIDI note numbers 35-67 there is no way to play individual samples chromatically across a MIDI keyboard. All the samples are fixed at the pitch they were recorded and are assigned to two pre-set MIDI maps, one being a Roland GS map for some reason. The main (and only) MIDI channel can be changed from 1-16 and the sample pads glow red when any relevant MIDI notes are received, which is a nice touch but that's about it as far as MIDI goes.
Because of these limitations you don't really gain much by playing the Dr. Sample over MIDI, unless you use it hooked up to a sequencer, and personally it just seemed more natural to play it using the sample pads while twiddling with the effects knob. CULT CLASSIC ? When I first heard about the Dr. Sample I wasn't quite sure what to expect, because although on paper the features look interesting I wasn't convinced that a sampler in this price range could sound any good. Well my concerns were slightly awry because it sounds great but the effects implementation and MIDI specification are a bit of a let down. But these are personal gripes and I shouldn't loose sight of its intended destination, sitting next to a DJ mixing desk. As a quick and easy looping sampler it works wonderfully. It also performs well providing spot effects, jingles and ambience and effects loops. And for bands that just want a few sampled sounds to jazz up their set but don't want to get a fully featured (and full priced) sampler then this is that machine. In these sorts of situations you don't need multi-note polyphony, complex MIDI control and multi-timbral voices just a machine that delivers decent sounding samples and a reliable and quick way to save and load them, which the Smart Media cards are excellent for. What the Dr. Sample isn't suited for is complex MIDI control and integrating into a desktop MIDI set-up, or anything requiring what most samplists would consider quite mundane sample editing and manipulation tasks. Also, with the cost of Smart Cards falling so fast it would be nice if Boss included one in the price and come on guys, not including a power supply is down right measly.VAT Features: 4-note polyphony. 16 samples using internal memory. 16 samples on Smart Media card. 16 bit AD and DA. Time stretch, Filter and Ring Modulator Sample times (see box). Size: 145 mm (W) x 221 (D) x 83 (H) PROS: Excellent sound, using Hi-Fi setting. Fast and easy to use. Impressive sampling times.
Uses affordable Smart Media cards for longer sampling and back-up. Some useful and novel effects. Built-in microphone makes it easy to sample in a hurry. Extremely portable and quite happily runs on batteries, for hours. Comprehensive Zero-G sample CD included in price. Looks great, especially with the lights dim. CONS: Only 4 note polyphony, less with effects and stereo samples. Minimalist sample editing. Basic MIDI specification. No foot switch facility. Power supply not included. SUMMARY With a great sound that can really kick arse and a couple of interesting effects to boot, sampling loops has never been easier or quicker. With a little practice and used in the right situation this can be a stormin' little machine, just don't expect too much of it in the MIDI or sample editing departments. Instead, there's a slot at the front that accepts small RAM memory cards called Smart Media. Looking at the chart (see box) you will see that using these cards increases sampling times quite substantially. These RAM cards have been adopted by most of the major electronics manufactures for use with the new generation of digital cameras and PDAs that seem to appear on a weekly basis. The consequence of this fast take-up is that Smart Media cards are quickly becoming somewhat of an an industry standard, resulting in dramatic price reductions as production increases. There are two types of card available, the S2M-5 with a 2Mb capacity and the S4M-5 with a 4Mb capacity. Has it's pros and cons like all pieces of gear, but for the price, playability and especially the sound, this sampler is definitely worth it. For that lo-fi edge that you want in sampling sometimes, this is the perfect tool. Es un Sampler pensado como una tornamesa. Verisign. Max Sample Memory: 31.25 kHz Bit Depth: 16 Max Sample Rate: 31.25kHz, 15.63kHz, 7.81kHz, and 3.91kHz Min Sample Rate: 3.
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91 kHz Sample Time at Max Rate: 32 seconds Polyphony: 4 notes User Patches: 16 Screen: 3-character 7-segment LED Dimensions: 145 mm x 221 mm x 83 mm Weight: 0.95 kg This is a tabletop unit. User reviews Add review I use it to record backing stuff for my musical endeavors. I really like it. The lo-fi is great for drums and even vocal samples. It has hiss to it, so it gives a vintage tape feel to recordings. I have been recording guitar bits into a Boss Micro BR, then sampling them with the 202, then chaining it together however I want. I even sampled one of my cell phone ringtones and reversed it into the song. Still, the amount of stuff you can do with this little box, particularly if you own a 4 track recorder, seems nearly limitless.I see an error message. And then, the delete button flashes.All my attempts to reset the memory are unsuccessful. Anyone know any solutions? Withoug even opening the manual, I had this thing doing things that I've been looking to do for a long time. There are not a ton of effects on this, but if your an MPC user (not including the 4000 owners) the timestretch feature is BEAUTIFUL. All the effects work in real time.If you want more effects, just run your samples thru an effects processor and sample as usual. It's high pass filter is a feature missing from the mpc, but can now easily be added for a low price. I absolutly love this thing.Editing the samples length is kinda wack, but I'm simply editing and dumping into the mpc, so it's no big deal for me. In conjunction to the rest of effects that I have, this is a nice addition to my studio. You can post reviews, comments or questions here and Comments are moderated by humans, please be patient.Reproduction in whole or in part in any form or medium without express written permission from Sonic State is prohibited. Released in the year of 1998, it is the premier installment to the SP family, which includes Boss’s popular SP-303 and Roland's SP-404 installments.
By using this site, you agree to the Terms of Use and Privacy Policy. At some point he moved onto just a 303 (now up on a stage t. more It's a big brick of plastic. It offers four low quality sample rates, from 31 to about 4 kHz, providing 20 to 260 seconds of sample time via built-in microphone, Mic or Line inputs. Each Pad to which you assign your samples can have user-selectable sampling rates in order to maximize sample time. The sampler can be battery powered, and originally came with lots of sampled loops and one-shots to get you going. I once even sampled one of our friends talking in their sleep with it. I loved that it was portable and easy to use. You can still find them on Ebay every now and then but dont count on much sample storage (even with the hard to find 5v SD card). I really liked that you could run any audio into it via RCA connections and use the filters and such. Fun to have around if you can find it for cheap. Not a bad little sampler at the time it was issued. They are great fun for writing beats, loops, sampling, sound design and live performance. Awesome lo-fi sounding FX and sampling, easy to use at home or on the fly. All round just an awesome piece. Condition. It shows some minor wear from use. Please see photos. Be the first to know when more are listed: Follow this Product Overview The Boss SP-202 is an excellent vintage machine for budget-conscious beat-makers on the go. Gallery Product Specs Brand Boss Model SP-202 Dr. Sample Finish Black Year 1998 - 2001 Made In Taiwan Show More Similar Products From the Price Guide Sell Yours Please check the fields highlighted in red.Currency. It has been tested and is in full working order. The item is in good cosmetic condition. It comes with the power adapter and manual. This Boss Dr Sample SP-202 does not include original packaging but has been professionally packaged to ensure safe delivery to your door.
Any DJ, hip-hop producer or techno artist knows that its next to impossible to create phat, slammin tracks without a good sampler. Yet many samplers on the market either lack professional features or are prohibitively expensive for the DJ on a budget. With this in mind, BOSS introduces the SP-202 Dr. Samplethe most affordable, easy-to-use, feature-packed sampler on the market. Period. SpecificationsYear Released: 1998Number of Pads: 13Polyphony: 24 notesPreset Patterns: 400User Patterns: 100User Songs: 19Preset Drumkits: 128User Drumkits: 64Tempo Range: 40 - 250 BPMSequencer Memory: 14000 notesSequencer Resolution: 96 PPQNROM Size: 256 waveforms (207 drum, 49 bass)Screen: 16x2 character LCDPower Consumption: 9V, 200 mAWeight: 1.1 kgDimensions: 258 mm x 21 mm x 85 mm User Demo VideosRating. The SP-505 is an advanced entry-level sampling workstationaimed at the electronic, hip hop and dance market that fits somewherein between the economical BOSSand the professional Roland.The SP-505 is centered around working with one-shot samples, loops,grooves and drum beats through a fairly basic set of sampling,sequencing and performance-oriented features.The machine has 8 voices of polyphony and 4MB of internal samplememory that can contain up to 250 samples organized among 16 soundbanks (4 preset and 12 user). Sampling specs are limited to CD-quality44.1 kHz (which yields about 2 minutes of sample-time) as well as22.050 and 11.025 kHz sample rates (more sample time, but less soundquality). The sampler is expandable via SmartMedia cards (3.3V only,up to an additional 128MB). It imports AIFF and WAV audio fileformats. Of course, it also samples external audio coming in from anyof its four input sources. As the machine is based on flash-RAM, everysample is instantly available to play, there's no need to load andwait. In addition to sampled sounds, there are an additional 64onboard Tones with drums, bass, keyboard and synth sounds.
The samples can be manipulated in various ways: A graphic LCDdisplay allows you to edit a sample's start and end points or boostthe level of a specific waveform range. Boss Dr Sample Sp 202 User Manual Pdf A Pitch function can map asample to the 16 pads chromatically like a traditional sampler does.There's a BPM Sync feature to instantly match up to 16 phrases to thesame tempo. The new Chop function divides a loop and maps it in toindividual samples and assigns them to the pads. The Chop functionthus allows you to rework a loop in to an entirely different groove -on the fly.There are 16 pads (not velocity sensitive) to trigger the samplesthat also light up to indicate whenever the sample assigned to them isplaying. This allows you to create complete musicproductions with a loop track, additional sequenced drum track, basstrack and synth track, for example. Boss Dr Sample Sp 202 Pattern creation is possible withrealtime recording or microscope editing (a sort of step sequencingthat lets you edit the sequence while the pattern is playing). All of the effects can be controlled in real time using theknobs, or even re-sampled to another pad. For budding musicians and especiallythe DJ-oriented bunch looking to create their own beats and sample-basedmusic, the SP-505 is a good place to get started. Related Forum Topics. Something went wrong. View cart for details. All Rights Reserved. User Agreement, Privacy, Cookies and AdChoice Norton Secured - powered by Verisign. This may happen as a result of the following: Javascript is disabled or blocked by an extension (ad blockers for example) Your browser does not support cookies Please make sure that Javascript and cookies are enabled on your browser and that you are not blocking them from loading. Key features include: Compact phrase sampler with 31.25 kHz (Hi-Fi) sound quality. DJ-friendly operation via large, luminous sample pads (with Gate, Loop, and Reverse triggering), plus 3 real-time control knobs.
Various groove effects, including filter, pitch, delay, ring mod, etc. Real-time pattern sequencer with quantize function for easy song creation. For product info, check out the link below: Boss SP-202 The Boss SP-202 is in average to good cosmetic shape and fully functional condition. The unit shows signs of use with minor scratches on the front panel. This auction includes the following: original box, power supply, owner's manual, and RCA cables, as shown in photo. No additional accessories are included.International buyers are responsible for all duty or custom fees in their country (usually about 5 to 20 of total auction amount). Please inquire for estimates. Once you receive your item, we encourage everyone to reuse or recycle the packing materials or the shipping box (to the extent that it is re-usable without compromising the integrity of these materials). Se vende por falta de uso. Incluye su cargador y un a tar jeta de memo ria Smart.Foma s de Pago: Paypal. Transferencia bancaria. Envio: Todo el mundo. Os dejo l os detalles tecnico s en in gles. PRODUCT DESCRIPTION: The BOSS SP-303 Dr. Sample offers DJs and musicians a compact. Portable phrase sampler with CD-quality sound, 8-note polyphony, 26 onboard effects and a realtime pattern sequencer—all at a price unmatched by the competition. Its professional sound and specs are on par with far more expensive models. Just select the length(up to 99 measures) and play along to the internal metronome. A quantize function corrects your timing. Making it possible to create drum patterns by sampling individual sounds to the pads. And the SP-303's sequencer can store up to 7,500 notes. 3. 26 Killer Effects- Not just a sampler. But a full-blown effects processor, the SP-303 includes 26 professional effects like reverb, flanger, delay, and Voice Transformer—plus wicked distortion, filter, Slicer, Isolator, Lo-Fi, and Vinyl Simulator algorithms for twisting your sound to the extreme.
Best of all, these effects can be applied to multiple samples simultaneously or to live input signals. 4. Resampling and More- Once you've fo Key features include: Compact phrase sampler with 31.25 kHz(Hi-Fi) sound quality. DJ-friendly operation via large. Luminous sample pads(with Gate, Loop, and Reverse triggering) plus 3 real-time control knobs. Various groove effects. Including filter, pitch, delay, ring mod, etc. The Boss SP-202 is in average to good cosmetic shape and fully functional condition. The unit shows signs of use with minor scratches on the outer casing. As shown in photos. This auction includes the following: power supply. 4MB memory card. Stereo patch cables, and owner's manual, as shown in photo. No additional accessories are included. If you purchase the sampler without the power supply.Please review our international shipping policy: We typically ship to most places in EU. Asia, and Australia to qualified buyers with PayPal account and good feedback. International buyers are responsible for all duty or custom fees in their country(usually about 5 to 20 of total auction amount) Also. Once you receive Still used in a variety of Musical Equipment.If you Know What This Is. Buy It Now for the Best Deal going. BUY IT NOW With Quick Post and eBay's New 14 DAY Money Back Plan Though I Will Guarantee For 30 Days This Listing Provides BEST WARRANTY With BEST PRICE FREE SHIPPING ASAP AS SHOWN Serial Numbers Recorded for Our Mutual Interest. ALL eBayers WELCOME with Good Feedback. ANY INT'L 8-12 BUSINESS DAYS OR EXPRESS AVAILABLE OPTIONAL UPS STANDARD TO CANADA 4-8 BUSINESS DAYS EXPRESS MAIL AVAILABLE SAME DAY OUT UPON EMAIL CONFIRMATION Will Ship ASAP upon cleared funds. Payment Or eMail Due Within 24 hours.Works and sounds great. Lots of fun. This from the Vintage Synth's page: The SP-202 is a limited sampler designed for loops and grooves for DJs on a budget. It offers four low quality sample rates.