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Please do not offer the downloaded file for sell only use it for personal usage. Looking for other manual? For this no need registration. May be help you to repair. You could suffer a fatal electrical shock. Instead, contact your nearest service center. Note! To open downloaded files you need acrobat reader or similar pdf reader program. In addition, Also some files are djvu so you need djvu viewer to open them. These free programs can be found on this page: needed progs If you use opera you have to disable opera turbo function to download file. If you cannot download this file, try it with CHROME or FIREFOX browser. Translate this page: Relevant INSTRUMENT forum topics: BOSS MT-2 METAL ZONE Sziasztok! Megepitettem a cimbeli gitartorzitot, de nem jon ki belole az a hang, ami a YouTube-os demovideokon hallatszik. Ossze szeretnem hasonlitani egy gyarival. Van esetleg valakinek?You can write in English language into the forum (not only in Hungarian). It has an interesting design with both asymmetric soft-clipping diodes, hard clipping diodes and a Ge diode pair in series with the signal for crossover distortion and simple noise gate. A wide variety of tone color creation is made possible with the 2 color mix controls. By submitting a comment, you are declaring that you agree with these rules: Although the administrator will attempt to moderate comments, it is impossible for every comment to have been moderated at any given time. You acknowledge that all comments express the views and opinions of the original author and not those of the administrator. You agree not to post any material which is knowingly false, obscene, hateful, threatening, harassing or invasive of a person's privacy. The administrator has the right to edit, move or remove any comment for any reason and without notice. Failure to comply with these rules may result in being banned from further commenting. Stay up to date with Roland news, artists, promotions, events, and more.
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Provides an overview of key features, functions and operational tips. The Roland Worldwide Social Network keeps you connected to the latest products, exciting events, and much more. Whether you are a recreational micro-stakes player or a high-stakes pro, HM2 is the gold standard for poker tracking and. Learn More. If you have 64 Bit Windows you have to install the 64 bit version and if you have 32 Bit Windows you have to install the 32 bit version. Whether you are a recreational micro-stakes player or a high-stakes pro, OM2 is the gold standard for poker. Learn More. Even if you’re an advanced poker player, you’ve likely got costly habits that. Learn More. Even if you’re an advanced poker player, you’ve likely got costly habits. Learn More. Even if you’re an advanced poker player, you’ve likely got costly habits that. Learn More. NoteCaddy reads hand histories, understands what happens, and takes notes on behaviors that are significant. Additionally, users of NoteCaddy can be their own judges. Learn More. NoteCaddy reads hand histories, understands what happens, and takes notes on behaviors that are significant. Additionally, users of NoteCaddy can be their own judges. Learn More. Winning SitNGo players know that the best strategy for beating SitNGo’s is to play tight. Learn More. Concentrate on making winning poker decisions while TableNinja handles the rest. TableNinja will simplify. Learn More. Learn more - opens in a new window or tab This amount is subject to change until you make payment. For additional information, see the Global Shipping Programme terms and conditions - opens in a new window or tab This amount is subject to change until you make payment. If you reside in an EU member state besides UK, import VAT on this purchase is not recoverable.
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What we mean when we say “noise” is almost always in relation to something undesirable. We don’t mean the experimental musical style, also called “noise”. Some of that stuff is great. Noise in this instance is the audio we can hear that we don’t want in our overall sound. Noise in the guitar world is usually the result of electromagnetic interference (EMI) which is all around us in the modern world. This EMI interacts with many guitar cables, pickups, amplifiers and other electronic equipment and when fed into a guitar amplifier (particularly amps with high preamp gain), can produce a lot of unwanted noise. Sometimes noise can even stem from maintenance issues such as cables, dirty pots and jacks on pedals and other gear, damaged amplifiers, poorly wound and installed pickups or other guitar electronics to name but a few common causes. As every player and their setup is different, noise can come from many different sources. The best way to avoid noise is to use quality equipment, look after it and have it serviced. But that’s often easier said than done. Simply put, you know when noise is present and you definitely want it gone. Many guitar players who play at high volume with high gain find themselves in an ongoing battle with noise, hum or unwelcome feedback. The solution is to incorporate some sort of tool to defeat the interference. For many players, that solution is the BOSS NS-2 Noise Suppressor. Contributed by Byron Struck and Matt Walsham for the Roland Australia Blog KILL THE NOISE In continuous production since 1987, the BOSS NS-2 is a best-selling staple of BOSS pedals. Used by everyone from bedroom players to international touring bands like Metallica, Slipknot, U2 and The Dillinger Escape Plan among many others, the BOSS NS-2 is an industry standard in noise suppression. Its innovative design is as effective today as it was at the time of its release.
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Whether you are looking to minimise unwanted noise in your rig, or perhaps even use it as a tone-tool for sculpting aggressive rhythm guitar textures, depends on how you connect it to your rig, and understanding just how it works. GETTING CONNECTED At first glance, you’ll see the NS-2 has 4 jacks. These jacks allow the NS-2 to be configured in 2 different ways, depending on your rig and your desired outcome. For the purposes of this article, we’ll refer to these two different configurations as the SIMPLE method and the ADVANCED method. SIMPLE METHOD This is the simplest way to use the NS-2. Simply insert the NS-2 into your signal chain as the last item AFTER your noisy pedals or amp. The limitation with the Simple method is that at high noise levels (common with high gain pedals and amps), the Noise Suppressor has difficulty in determining what is noise and what is your actual guitar signal. This can manifest a problem when playing long sustained notes with high preamp gain. As the note starts to die out, the Noise Suppressor in Simple mode may end up “clamping down” and cutting the end of the note off. This effect can actually be desirable for some players. Guitarists who play high-gain, staccato rhythms often relish the “choppy” effect that the Simple Method can deliver. If you are looking to use a Noise Suppressor to “tighten up” your high gain rhythms, then the Simple connection method may be best for you. To combat this problem, the NS-2 was designed with an intelligent “detection circuit” designed to differentiate between your guitar signal and unwanted noise. To take advantage of this functionality, we can connect using the ADVANCED method. When correctly connected using this method, the NS-2 will “detect” your guitar’s signal and allow the noise suppression circuit to activate only as your guitar signal dies out, resulting in a more natural guitar sound.
The NS-2 was the first pedal to achieve this style of noise suppression and remains an industry standard still today. Once you have the pedal connected in either method, the NS-2 becomes an invaluable tool. The key to optimum results, is understanding just what the main control knobs do. NS-2 CONTROLS The THRESHOLD control sets how sensitive you wish the Noise Suppressor to be, i.e. the “threshold” at which the Noise Suppression begins to do its work. Setting the THRESHOLD all the way to MAX will cut nearly anything, including guitar signal. If you want to back it off a bit, you’ll also be able to still get nice feedback swells if you desire. A bit of breathing room here can be good. The DECAY control allows you to set to how fast or slow you want the signal to fade out when the suppression circuitry kicks in. Slower DECAY settings will give a more natural overall guitar sound, and avoid the end of long notes being “chopped off” as they die out. Faster DECAY settings are favoured amongst many metal guitarists for the way in which it creates a “choppy” sound that suits tight, high gain rhythm playing. The MODE SELECTOR knob offers options for different ways to utilise the NS-2. In REDUCTION mode, the NS-2 will suppress unwanted noise, as determined by the Threshold. To activate Reduction mode, simply select it via the Mode Selector and press the pedal ON. If the pedal is not switched on in Mute mode, the pedal will work the same as it would in Reduction mode. Essentially, Mute mode does not have a bypass feature. It will reduce your noise but will kill all sound when you step on the pedal. WHAT ABOUT EFFECTS? Ok, good question. You can absolutely use effects and other pedals with the NS-2! However. Keep in mind that the NS-2 has a DECAY feature. Best way to use reverb and delay effects with the NS-2 is to put them AFTER it does its work. You can also put modulation pedals here if you want too.
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We’ve discussed using overdrive pedals with the NS-2 earlier in this article. But, if you’re using the 4-cable or “X-method”, the only pedal you should plug into before the NS-2 is your tuner. Whichever setup you choose, the BOSS NS-2 Noise Suppressor will clean up your overall sound while maintaining the dynamics and nuances of your playing. Certainly a crucial pedal for live, studio and rehearsal use, (almost as much as a tuner is!), the BOSS NS-2 is your go-to tool for clear and unobstructed tone.The level of EQ adjustment allows the player ROLAND GR-55 Guitar Synthesizer There’s something. Tired of downloading the same vague schematics from yet another website, the copy that is copied ad infinitum on the web. Or did you buy a CD on eBay, full of the same rubbish. Time is money, and especially so for technicians. Time that should be dedicated to repair and not wasted with the frustrations of searching for a decent service manual. So here is a site with only high quality, high resolution service manuals, most of them carefully cleaned, restored and sometimes partially re-drawn. Here you will find no unreadable drawings or manuals with crucial pages missing. Here you get what you need for the job and get on with it. Free downloads instead of paying silly money for an email with attachment. Of course hi-res means large files. They can be up to 8 times the size of a lo-res scan. That means they need much more server space, space that has to be rented at costs that will come back every year. And many of the manuals you will find here had to be bought as hard copy originals from the manufacturers before they could be scanned at all. Most of this is funded privately, but there is a limit to this budget. Yes, you got it. donations. When this service is useful to you, and you not only want it to continue but to expand as well, that's the way. Contributions received will immediately result in more server space, giving room for more service docs.
Donations will also open the way for later additions, such as synth chip data- sheets, synthesizer spec sheets, etc. Your donation will help to make this site a database for synth technicians as never before available on the world wide web. ENJOY! Needs replacing). Jumbo delivers the sound of an Enhance gives guitarists a brilliant, Level adjusts the There is also a direct output where the signal have BODY: center, Top:center) This technologyThe top knob controls the The AC-3 also has a In addition to the regular Auto Wah This make the There's also an extra powerful wah that combines the Adjust the SENS control so The AW-3 added a lot of new sounds, not heard There's a dedicated bass guitar input, an input for expression pedal,Set two vowel sounds and the wah effect It is all here - everything from warm, Leaves the expressiveness Sound control is as easy as using your favorite amp.Set the TONE the way you want.Turn GAIN to just about max with TONE set slightly lower.TONE should be adjusted to match The BF-2 has been around for a long time and is one of the most commonly used flanger pedals. These where later changed to the white top knobs. The change took place 1990,This was the original colour choice, but it was changed to Whether some pink ones exists out there is uncertain. The TL022CP opamp was replaced with the Sharp IR9022 opampIt was changed to green in The CE-2B is the only other pedal to have use the orange label.
Orange became pink in July The Bass Flanger After almost 10 years Boss replaced it with the The bass fundamentals remain The LFO (Low Frequency oscillator) is variable between The MANUAL knob controls the delay time,The CE-1 was released 1976 and The CE-2 builds on the The middle region is boosted in the CE-2 compared The pedal was however still produced and sold at least The CE-2 was produced in Japan up until 1988 when production moved to This results in the C in This is the only 3-knob pedal that has the knobs The CE-3 was the first metallic These where later changed to the white top knobs. The two outputs can be further combined The major difference between the CE-5 and its predecessorsIt has been in production for longer than anyThis is printed on the PCB so it is easy to The first version is closely related to the CE-2 and CE-3. It uses the 1024 stage The CE-5A is completely restructured. The easiest way to determine which version you The CE-x pedals doesn't do this andThe CH-1s made The easiest way to determine which version you have is to use the serial number.The later CS-2 and CS-3 used VCA's The sound of the CS-1 is thus very The CS-2 uses a VCA It is similar to The DC-3 is a digital device while the DC-2 uses analog electronics. The chorus produced is a bit different from The sound is often described There are no This popular pedal had controls for delay time, effect level and mode, The DD-2 digital delay also features a wide, A unique hold function and two stereo outputs are also included, The DD-2 - By using the unlatch For example, by setting Dropping the price didn't look so good so it The front of the pedal got The DD-3 was redisigned The new version is called the DD-3A. The DC socket was at theThe design change happened before production was moved from Japan to Taiwan The latest version of the DD-3 is In addition to three delay time modes, a Delay Time control Delay time ranges from 50 to 200ms.
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Then use the Connect a footswitch, In Hold mode, press The delay can also be inserted into an effects loop. To enhance solos, Endless repeats, reverse mode Enhancements include built-in tap tempo capability When you step on the The feedbacked note will stop immediately when you release the pedal. The newly developed 2-mode Pedal A built-in Overtone This effect draws a The vintage analog This was soonIt is worth noting that the MN3005 has a The MN3205 only produces 0.8 distortion It should have a 4 digit numberNote that this is the production date of the integrated The circuitry is similar to the DM-2's but it The delay time is variable The knobs on the They only featured on the DM-3 and early versions It produces a distortion sound with a hard edge and is known to have a Many people swear that the older Japan made pedals The DS-1 has over the years been used by a lot of great Keeley, Analogman and Stinkfoot all provide their This remained unchanged for about 16 years but in 1994 it was replaced by the Rohm BA728N. This time the Mitsubishi M5223AL was used. The last change came 2006 when the New Japan Radio NJM2904L opamp was introduced. The first version This is usually referred to as the long Since early 1982 the only changes has been to the bottom label. In mode I the DS-2 sounds a bit Mode II gives a sound more in the direction of the HM-2 or MT-2.The special Turbo Circuit serve to remove unpleasant shrill caused by distorted frequencies. The Turbo Circuit again create a powerful grunge distorted overload. The Delay has two modes, S and L. InIn the play mode, a recorded Recording and replay is archived simultaneously while the pedal is In, Output, AC Adaptor The DSD-3 was however This was made possible because of a As a result Boss decided to release it as a new version In, Output, AC Adaptor Keep playing for a You will then realize the effect that this pedal has.
What it does is This restores the clarity and delicate harmonic It is much used in studio work Thos control will cut or boost The setting of the SENS (Sensitivity) knob will determine how This restores the clarity and delicate harmonic structures The EH-2 adds life to any performance, This pedal can be controlled by the touch sensitivity of With a Roland EV-5 expression pedal linked to the Exp In A newly developed envelope With a Q control for filter peak level adjustment built-in, the In, Output, AC Adaptor Fuzz 1 is used for The FZ-2 can also be There are no known production changes. In addition to its classic sound, Picking dynamics Make sure your bass's The GE-6 has 6 bands with This equalizer is quite noisy in the high It's got the sameThis lets you completely control your sound and Place the GE-7 The design is very similar to the GE-7 butThe bands have center frequencies at 62Hz, There is also a level control that allows each band The change These are now at 50Hz, 120Hz, 400Hz, 500Hz, 800Hz, 4.5kHz and 10kHz The most critical area for a bass guitar is around 400Hz-500Hz and that's It's a great Well, not exactly, but it More like you'd expect from fully overdriven stacked tube Using independent COLOR MIX controls for high Perfect for solos as well as backing.This setting lets your guitar solos You can also select the key that you are playing in, Separate controls for each voice (level The HR-2 does 1 and 2 part harmonies in any interval in the following The key can be selected and the interval and volume Features: Intelligent pitch-shifting; one or two This instantly A new high-speed detection circuit ensures A Detector In jack allows correct pitch Adopting a high The high-speed envelope With the use of the Tone Control, the Limiter can The limiter was mainly used by bass players and this is why When the second generation limiter was launched, it was labeled The LM-2 gives you a little volume drop when it is turned on.
This makes With the massive gain that this pedal can produce, it can easily become It is one of the best selling Boss pedals of all time. The Metal Zone produces The distortion is produced in an analog circuit The pedal has 2 mainThe MZ-2 has stereo outputs Production came to an end some time It's not going to get The NF-1 should by normal conventions be called NG-1, but NG could be Pedals with serial number earlier You can connect the NS-2 last in your chain of Wire the Output jack of The NS-2 can also be wired like an effects loop, which allows you to kill The NS-2 attempts to The natural attack and envelope of the signal itself are unaffected To get a steady andIt is also an advantage to use a compressor in front of the OC-2 to limit the Each octave tone's volume can be controlled independently. The OC-2 features The OC-3 incorporates a digital In Octave2 mode, Artist of the 70's was mostly using a fuzz distortion sound and the It was however soon accepted as the new standard The sound is therefore still close to the original even The different versions have been named The version letter is printed on the PCB in the form of the number 052-281A to 052-281E. ThereEach with minor differences like opamps from different manufacturers.These numbers are not real serial numbers It is so far unknown how many pedals there were in a batch. The section below lists the The OD-1 was already legendaryThe design goal was to create a pedal with two modes. The OD-2 is built using After the production was discontinued, 1994, the pedal Boss chose to The OD-3 features a new dual stageIt is designed with theWith the overdrive turned off it also works wellIt can be adjusted from dry (clean) to fully overdriven. With overdrive sounds, more gain will increase the The OS-2 is both.
With the color knobTurn it up and the overdrive will be gradually The OS-2 provides The phaser attempts to emulate a rotating speaker With the added settings This is a 4 stage phaser like the It can create an wide This control is adjustable over a wide range in order to With a phase shift circuit that provides Two modes give you completely Depth controls This can be seen as the This is the feedback level. Mode selects between phaser mode 1 or 2. Switch it into Mode 2 for a more in-your-face There's also 4-, 8-, 10-, and The PN-2 has a Rate and Depth control in addition to a 4-way Mode switch The PN-2 was officially sold until 1995 butMost likely, it ranged only 10 months between The level can be boosted or cut with 18dBThe low band ranges from 25Hz to 400Hz, the middle band The level control is placed before It was never a big seller and as Boss presently doesn't You can adjust Each frequency range selector has it's own individual This was alleviated from serial number 845800 but There is seven pitch shift modes, and three The pitch shift level is selectable in 26 steps - 24. The delay is up to a Good for slightly shifted sounds. Good for greatly shifted sounds. Pitch A controls Output A and Ptch B controls Output B There are 5 different modes.It creates harmonies based on the Set the PITCH control to plus or minus 3rd, 4th, 5th, 6th, Ajdust the balance between direct sound and the effect with BALANCE. Set the PITCH control to the Press the pedal to activate the T.ARM effect, release the pedal to return The Flutter mode adds quick pitch vibrato to the input sound when the pedal is pressed.It can supply power to up to 7 other It's been obsoleted by the release When the check indicator light is green, Press the switch and In this mode the Guitar connection is connected to Send and the Amp Originally theThe production moved to Taiwan 1991.
Maybe it was a mistake to label the tone controls FAT and MUSCLE The PW-2 has a mid range boost with a heavy low end sound designed to create the sound of a Boss officially claims that production only lasted 9 months but investigations shows that the Since sales were really Digital reverbs had prior to the RV-2 only been The RV-2 changed all that when it was launched 1987.As a result of this it was The pedal and the power supply wouldn't fit in a normal The reverb time is adjustable from 0.2 to 10 seconds. In front of the reverb The production span of the RV-2 was likely very short and might have Exclusive BOSS asymmetric overdrive circuitry delivers a genuine The SD-1 is ideal for The SD-1 is equipped with It is recommended that the Tone control be set at around 90 degrees This effect was BOSS'S unique asymmetric overdrive circuitry delivers a genuine overdrive effect for a A tone control is also provided for precise tonal adjustment.Good for a bluesy sound.With this setting, the SD-1 functions as aCRUNCH mode gives you a fat, crunchy sound that's You can even independently modify these two tones with What's more, the LEAD and CRUNCH modes can be For solos, With the effect on, you can use an This gives you instant There are only The attack knob controls the A compressor or overdrive in front of it may be helpful to minimize Used with a delay it sounds sort of With the NF-1, the sound decays away but is cut when it falls below a threshold. With the The spectrum knob sets the frequency The balance knob sets the peak within the range.
The SP-1 was more Today it is one of the most sought after Together with the CS-1, the TW-1 is Automatic variations of tone according to the level of the input signal provides radical The TW-1 is therefore ideal for musicians who The use of a unique coil-type resonance circuit makes possible a number of The TW-1 is also equipped with a Drive control that lets you choose any of the up As a result, any desired wah effect In latch mode, the vibrato Like the CE-1 Chorus Ensemble, the It is based around the MN3207 BBD with accompanying For guitar players who apply finger vibrato without thinking about it, this effect can be difficult In order to produce a true and natural vibrato effect,When used with a guitar, the VB-2 can produce a wide array of smooth and natural vibrato And with the unit's unlatch mode which activates the vibrato effect only while the pedal It was originally written by the maker of bossarea.comThat is the reason I created a mirror because I missed the great reference site that was bossarea.com.I am an avid collector and programmer, just a happy marriage of both. Feel free to send cheers, errata and additions to info (at) gitaargast (dot) nl. It may not display this or other websites correctly. You should upgrade or use an alternative browser. Sign Up Now! Sign up and then every boss manual you could ever want is at your finger tips.Sign up and then every boss manual you could ever want is at your finger tips. Click to expand. Stilll an awesome resource though.Gold Supporters see zero ads. Upgrade Now Thanks for your support! By continuing to use this site, you are consenting to our use of cookies. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Roland Re 20 Manual. To get started finding Roland Re 20 Manual, you are right to find our website which has a comprehensive collection of manuals listed.